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A History of a Charity in Twenty Objects - #2

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#2. Letter from Peabody Trust (March 23rd, 2000) With those sample cartoons ( Object #1 ), the rest was easy: Establish a charity, raise some money, recruit volunteers and start doing our work in the local community — and the rest is history!  Right? Wrong.  Not even close.  We took the ‘scenic route’. In fact, in 1998, Kourtney wasn’t thinking about charity work at all — just work! She put those cartoons in her portfolio and submitted Guy Fox to lots of London children’s publications. “Nope,” said Kids Time Out. “No, thank you,” said the Funday Times. The rejection letters piled up.   Kourtney even received a rejection from the New Statesman, which was bizarre because she hadn’t sent them anything! (But that’s another story.) Finally, there was a ‘Not-Quite-No’, from TwoCan Publications, who didn’t want the Guy Fox cartoons, but who offered Kourtney illustration work on their magazines. Kourtney settled into a routine as a freelance illustrator — wo...

A History of a Charity in Twenty Objects - #1

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#1. Drawings of Guy Fox (Autumn 1998) These pen and ink drawings are the very first iterations of the Guy Fox character. As you can see, he's gained a little weight since then – mostly in his nose! These days, we draw him in pencil, add the black lines with an old-fashioned dip pen and ink, and then scan the drawing so that we can colour it in Photoshop.  But back in 1998, when Kourtney Harper created Guy Fox, she and her husband were relocating from Chapel Hill, North Carolina to London and living out of a suitcase – no computer, no scanner, no software. So when inspiration struck, Kourtney popped in to see Mr Poole at Cornelissen .  Mr Poole was one of those living institutions who can only exist in a place like London. Dressed in pinstriped trousers, waistcoat, pocket watch with fob and immaculately-polished shoes, and wielding a walking stick that doubled as a grappling device, Mr Poole sold pen and ink drawing supplies. Nib holders, nibs, brushes and in...